Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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RUBENS, Pieter Pauwel
Landscape with Cows

ID: 64572

RUBENS, Pieter Pauwel Landscape with Cows
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RUBENS, Pieter Pauwel Landscape with Cows


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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640  Related Paintings of RUBENS, Pieter Pauwel :. | The Virgin and Child in a Garland of Flower | Boy with Bird | The Three Crosses | Self-portrait | Altarpiece of St Ildefonso (right panel) |
Related Artists:
Hugo Salmson
1843-1894
Walter Crane
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.
Maurice Utrillo
French Painter, 1883-1955,French painter, son of SUZANNE VALADON. He was entrusted to his grandmother while his mother posed as a model for such painters as Renoir and Puvis de Chavannes before discovering her own talent for drawing and painting. His father, the Spanish painter Miguel Utrillo (1862-1934), only admitted paternity eight years after Maurice's birth. Maurice Utrillo had no predisposition for art, but when he was 19 his mother took medical advice and urged him to adopt drawing and painting as a distraction from his need for alcohol. In search of a suitable subject, he went to the countryside around Montmagny, a village to the north of Paris, where, between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings, sombre, heavily impasted landscapes, such as the Roofs of Montmagny (Paris, Pompidou). By 1906 the doctor felt that Utrillo could return to Montmartre. His pictures of the streets and suburbs were painted with a less heavy impasto and with lighter tones.






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